DEESSER 2 LOGIC PRO X DOWNLOAD HOW TO

The Band-Pass Filter mode is useful for isolating and reducing a specific band of high frequencies. Here we have a Band-pass filter and we also have a high shelf filter. You don't want to cut out too much but you may want to cut out some so the recording doesn't sound too harsh.

Like I said though, if you have too much De-Essing going on, it may sound like your singer has a bit of a lisp. I also recommend setting the right threshold for your recording and finding the max amount of reduction. I recommend having this Filter Solo button selected, finding the frequency that you wish to attenuate. The frequency that I want to attenuate is around about 7,800Hz. In the vocal, “♪ ♪ I push against the Earth ♪ ♪”, it's the “against” that I want to reduce. It also allows you to just listen to the frequency that you want to attenuate. It solos the frequency that you've selected. For females, female vocals frequency may be a little higher. It really does depend on the voice that you're mixing. Generally, I'd have this between 5,000Hz to 10,000Hz. It's the frequency where the sibilance is detected at. We can see the amount of reduction with the blue bar in the reduction meter.Īs you can see in the picture above, this is the Center Frequency that you're going to reduce. If we lower it, we have less gain reduction applied to the signal. The higher the number, the more gain reduction will be applied to your signal. For example, 9.5dB is the maximum reduction that will be applied when the signal passes past the threshold. The next one is Max Reduction and this also does the same as the 2nd slider adjacent to the 1st slider. If you have it at 0.0dB, for example, it won't apply any reduction to the signal because the signal won't be above 0.0dB. A threshold basically only applies the reduction to signals above the selected number. This dial does the same as the first slider on the left. We have a few more controls and the first one is the Threshold. The maximum number is shown in the number above which you can also click to reset. We also have a reduction meter, so this shows the amount of gain reduction that's being applied. This allows you to drag and set the maximum reduction level. Going along, we have the Reduction Meter slider. The maximum number is displayed at the top and you can click to reset this number. We also have a detection meter that shows us the input signal level and the level is in yellow when it goes above the threshold. This allows to drag up or down the threshold and gain reduction will only be applied to signals above this number. On the left, you'll notice we have the detection meter slider. Let's have a look at the different settings now. I'm going to Record Default and work from the default. We also have a few different presets we can choose. In this plugin, we have a few different dials and controls and we also have the visual meter displays. To open it, we need to go down to Dynamics and then De-Esser 2. Let's get to know in detail about the De-Esser 2 plugin in Logic Pro 10. I generally like to use a De-Esser before the compressor, so I'm not compressing the unwanted sibilant sound but sometimes if it's a really essy recording, I will also use a De-Esser after the compressor as well as before the compressor. However, you may not want the vocalist too far away from the microphone because you may capture more room sound which you may not want for your recording but a De-Esser can help reduce sibilance in your recording.īe careful though when you're De-Essing because if you have too much of this, then it may sound like the vocalist has got a bit of a lisp but the correct amount can make a vocal recording sound less harsh. If the vocalist is right up close to the microphone, then there may be more sibilance than if the vocalist is further away from the microphone.

So, if you are at the side of the microphone slightly, it will sound less essy than if you're directly in front of the microphone. The placement of mic can help with sibilance as well the distance will make a difference with sibilance. It also depends on the position of the microphone. Sibilance also depends on the voice itself. It can also be used to smooth out high frequencies in other instruments such as hi-hats or cymbals.Ī De-Esser is essentially used on vocals to reduce any harsh hiss produced from the S, F or T sounds. A De-Esser is primarily used to reduce sibilance in vocal recordings.

DEESSER 2 LOGIC PRO X DOWNLOAD HOW TO

If you want to know how to reduce sibilance in vocal recordings and smooth high frequencies, the secret is the De-Esser 2 Plugin in Logic Pro X & Logic Pro 10.4.5.Ī De-Esser is actually a fast-acting compressor that compresses at high frequencies or a certain band of high frequencies.

Deesser 2 logic pro x download